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The Alien Grip on Our News and Entertainment Media Must Be
Broken
The Alien Grip on Our
News and Entertainment Media Must Be Broken. There is no greater
power in the world today than that wielded by the manipulators
of public opinion in America. No king or pope of old, no
conquering general or high priest ever disposed of a power even
remotely approaching that of the few dozen men who control
America's mass news and entertainment media.
Their power is not
distant and impersonal; it reaches into every home in America,
and it works its will during nearly every waking hour. It is the
power that shapes and molds the mind of virtually every citizen,
young or old, rich or poor, simple or sophisticated.
The mass media form for us our image of the world and then tell
us what to think about that image. Essentially everything we
know -- or think we know -- about events outside our own
neighborhood or circle of acquaintances comes to us via our
daily newspaper, our weekly news magazine, our radio, or our
television.
It is not just the heavy-handed suppression of certain news
stories from our newspapers or the blatant propagandizing of
history-distorting TV "docudramas" that characterizes the
opinion-manipulating techniques of the media masters. They
exercise both subtlety and thoroughness in their management of
the news and the entertainment that they present to us.
For example, the way in which the news is covered: which items
are emphasized and which are played down, the reporter's choice
of words, tone of voice, and facial expressions; the wording of
headlines; the choice of illustrations -- all of these things
subliminally and yet profoundly affect the way in which we
interpret what we see or hear.
On top of this, of course, the columnists and editors remove any
remaining doubt from our minds as to just what we are to think
about it all. Employing carefully developed psychological
techniques, they guide our thought and opinion so that we can be
in tune with the "in" crowd, the "beautiful people," the "smart
money." They let us know exactly what our attitudes should be
toward various types of people and behavior by placing those
people or that behavior in the context of a TV drama or
situation comedy and having the other TV characters react to
them in the Politically Correct way.
Molding American Minds
For example, a racially
mixed couple will be respected, liked, and socially sought after
by other characters, as will a "take charge" Black scholar or
businessman, or a sensitive and talented homosexual, or a poor
but honest and hardworking illegal alien from Mexico. On the
other hand, a White racist -- that is, any racially conscious
White person who looks askance at miscegenation or at the
rapidly darkening racial situation in America -- is portrayed,
at best, as a despicable bigot who is reviled by the other
characters, or, at worst, as a dangerous psychopath who is
fascinated by firearms and is a menace to all law-abiding
citizens. The White racist "gun nut," in fact, has become a
familiar stereotype on TV shows.
The average American, of whose daily life TV-watching takes such
an unhealthy portion, distinguishes between these fictional
situations and reality only with difficulty, if at all. He
responds to the televised actions, statements, and attitudes of
TV actors much as he does to his own peers in real life. For all
too many Americans the real world has been replaced by the false
reality of the TV environment, and it is to this false reality
that his urge to conform responds. Thus, when a TV scriptwriter
expresses approval of some ideas and actions through the TV
characters for whom he is writing, and disapproval of others, he
exerts a powerful pressure on millions of viewers toward
conformity with his own views.
And as it is with TV entertainment, so it is also with the news,
whether televised or printed. The insidious thing about this
form of thought control is that even when we realize that
entertainment or news is biased, the media masters still are
able to manipulate most of us. This is because they not only
slant what they present, but they establish tacit boundaries and
ground rules for the permissible spectrum of opinion.
As an example, consider the media treatment of Middle East news.
Some editors or commentators are slavishly pro-Israel in their
every utterance, while others seem nearly neutral. No one,
however, dares suggest that the U.S. government is backing the
wrong side in the Arab-Jewish conflict and that it served Jewish
interests rather than American interests to send U.S. forces to
cripple Iraq, Israel's principal rival in the Middle East. Thus,
a spectrum of permissible opinion, from pro-Israel to nearly
neutral, is established.
Another example is the media treatment of racial issues in the
United States. Some commentators seem almost dispassionate in
reporting news of racial strife, while others are emotionally
partisan -- with the partisanship always on the non-White side.
All of the media spokesmen without exception, however, take the
position that "multiculturalism" and racial mixing are here to
stay, and that they are good things.
Because there are differences in degree, however, most Americans
fail to realize that they are being manipulated. Even the
citizen who complains about "managed news" falls into the trap
of thinking that because he is presented with an apparent
spectrum of opinion he can escape the thought controllers'
influence by believing the editor or commentator of his choice.
It's a "heads I win, tails you lose" situation. Every point on
the permissible spectrum of public opinion is acceptable to the
media masters -- and no impermissible fact or viewpoint is
allowed any exposure at all, if they can prevent it.
The control of the opinion-molding media is nearly monolithic.
All of the controlled media -- television, radio, newspapers,
magazines, books, motion pictures -- speak with a single voice,
each reinforcing the other. Despite the appearance of variety,
there is no real dissent, no alternative source of facts or
ideas accessible to the great mass of people that might allow
them to form opinions at odds with those of the media masters.
They are presented with a single view of the world -- a world in
which every voice proclaims the equality of the races, the
inerrant nature of the Jewish "Holocaust" tale, the wickedness
of attempting to halt the flood of non-White aliens pouring
across our borders, the danger of permitting citizens to keep
and bear arms, the moral equivalence of all sexual orientations,
and the desirability of a "pluralistic," cosmopolitan society
rather than a homogeneous one. It is a view of the world
designed by the media masters to suit their own ends -- and the
pressure to conform to that view is overwhelming. People adapt
their opinions to it, vote in accord with it, and shape their
lives to fit it.
And who are these all-powerful masters of the media? As we shall
see, to a very large extent they are Jews. It isn't simply a
matter of the media being controlled by "corporate interests."
If that were the case, the ethnicity of the media masters would
reflect, at least approximately, the ratio of rich Gentiles to
rich Jews. The preponderance of Jews in the media is so
overwhelming, however, that we are obliged to assume that it is
due to more than mere happenstance.
Electronic News &
Entertainment Media
Continuing government
deregulation of the telecommunications industry has resulted,
not in the touted increased competition, but rather in an
accelerating wave of corporate mergers and acquisitions that
have produced a handful of multi-billion-dollar media
conglomerates. The largest of these conglomerates are rapidly
growing even bigger by consuming their competition, almost
tripling in size during the 1990s. Whenever you watch
television, whether from a local broadcasting station or via a
cable or a satellite dish; whenever you see a feature film in a
theater or at home; whenever you listen to the radio or to
recorded music; whenever you read a newspaper, book, or magazine
-- it is very likely that the information or entertainment you
receive was produced and/or distributed by one of these
megamedia companies.
The largest media conglomerate today is AOL, which bought out
Time Warner for $160 billion early in 2000. The merger brought
together Steve Case, a White Gentile, as Chairman of the new
AOL, and Gerald Levin, a Jew, as the CEO. Although AOL isn't
(yet) run entirely by Jews, the effect of this blend of
leadership between a White capitalist whose biggest concern is
money and a racially conscious Jew will be gradually to increase
the Jewish influence within AOL. Steve Case won't complain when
Gerald Levin begins hiring mostly Jews to fill key positions
beneath him because Case's own profits won't be affected. After
Case dies or retires, the Jews will have complete control at
AOL.
Before the merger, AOL was the largest Internet service provider
in America, and it will now be used as an online platform for
the Jewish content from Time Warner.
Time Warner, Inc., with 1997 revenues of more than $13 billion,
was the second largest of the international media leviathans
when it was bought by AOL. Levin, chairman and CEO of Time
Warner, had bought Turner Broadcasting System in 1996 from Ted
Turner, who had been one of the few Gentile entrepreneurs in the
media business. Ted Turner, as the company president, is the
number three man at the new AOL, after Case and Levin.
When Ted Turner, the Gentile media maverick, made a bid to buy
CBS in 1985, there was panic in media boardrooms across the
nation. Turner had made a fortune in advertising and then had
built a successful cable-TV news network, CNN, with over 70
million subscribers. Although Turner employed a number of Jews
in key executive positions in CNN and had never taken public
positions contrary to Jewish interests, he is a man with a large
ego and a strong personality and was regarded by Chairman
William Paley and the other Jews at CBS as uncontrollable: a
loose cannon who might at some time in the future turn against
them. Furthermore, Jewish newsman Daniel Schorr, who had worked
for Turner, publicly charged that his former boss held a
personal dislike for Jews.
To block Turner's bid, CBS executives invited billionaire Jewish
theater, hotel, insurance, and cigarette magnate Laurence Tisch
to launch a "friendly" takeover of the company, and from 1986
until 1995 Tisch was the chairman and CEO of CBS, removing any
threat of non-Jewish influence there. Subsequent efforts by
Turner to acquire a major network were obstructed by Levin's
Time Warner, which owns nearly 20 percent of CBS stock and has
veto power over major deals. When his fellow Jew Sumner Redstone
offered to buy CBS for $34.8 billion on September 7, 1999, Levin
had no objection.
Thus, despite being an innovator and garnering headlines, Turner
never commanded the "connections" necessary for being a true
media master. He finally decided if you can't lick 'em, join 'em,
and he sold out to Levin. Ted Turner is in one respect a
reflection of Steve Case. Both of these White men are
capitalists with no discernible degree of racial consciousness
or responsibility.
Time Warner's subsidiary
HBO is the country's largest pay-TV cable network. Until the
purchase in May 1998 of PolyGram by Edgar Bronfman, Jr., Warner
Music was America's largest record company, with 50 labels, the
biggest of which is Warner Brothers Records. Warner Music was an
early promoter of "gangsta rap." Through its involvement with
Interscope Records (prior to Interscope's acquisition by MCA),
it helped to popularize a genre whose graphic lyrics explicitly
urge Blacks to commit acts of violence against Whites.
In addition to cable and music, Time Warner is heavily involved
in the production of feature films (Warner Brothers Studio,
Castle Rock Entertainment, and New Line Cinema) and in
publishing. Time Warner's publishing division (editor-in-chief
Norman Pearlstine, a Jew) is the largest magazine publisher in
the country (Time, Sports Illustrated, People, Fortune).
AOL has absorbed Time Warner financially, but ideologically it
is Time Warner that has infected AOL. Levin has lost none of his
ability to pervert our culture. Steve Case certainly will not
interfere with whatever plans Levin has in that respect, since
money is what he cares about. If he can get richer by letting
Levin promote anti-White music on the Internet while keeping
White patriots out of AOL chatrooms, it's all the same to him.
The second-largest media conglomerate today, with 1997 revenues
of $23 billion, is the Walt Disney Company. Its chairman and
CEO, Michael Eisner, is a Jew. The Disney empire, headed by a
man described by one media analyst as "a control freak,"
includes several television production companies (Walt Disney
Television, Touchstone Television, Buena Vista Television) and
cable networks with more than 100 million subscribers
altogether.
As for feature films, the Walt Disney Motion Pictures Group,
under Walt Disney Studios, headed by Joseph E. Roth (also a
Jew), includes Walt Disney Pictures, Touchstone Pictures,
Hollywood Pictures, and Caravan Pictures. Roth founded Caravan
Pictures in January 1993, and it is now headed by his fellow Jew
Roger Birnbaum. Disney also owns Miramax Films, run by the
Weinstein brothers, Bob and Harvey, who have produced such
ultra-raunchy movies as The Crying Game, Priest, and Kids.
When the Disney Company
was run by the Gentile Disney family, prior to its takeover by
Eisner in 1984, it epitomized wholesome, family entertainment.
While it still holds the rights to Snow White, the company under
Eisner has expanded into the production of a great deal of
so-called "adult" material.
In August 1995, Eisner acquired Capital Cities/ABC, Inc., which
owns the ABC Television Network, which in turn owns ten TV
stations outright in such big markets as New York, Chicago,
Philadelphia, Los Angeles, San Francisco, and Houston. In
addition, it has 225 affiliated stations in the United States
and is part owner of several European TV companies.
ABC's cable subsidiary, ESPN, is headed by president and CEO
Steven Bornstein, who is a Jew. The corporation also has a
controlling share of Lifetime Television and A & E Television
Networks cable companies, with 67 million subscribers each. ABC
Radio Network owns 26 AM and FM stations, again in major cities
such as New York, Washington, and Los Angeles, and has over
3,400 affiliates.
Although primarily a telecommunications company, Capital
Cities/ABC earned over $1 billion in publishing in 1997. It owns
seven daily newspapers, Fairchild Publications (Women's Wear
Daily), Chilton Publications (automotive manuals), and the
Diversified Publishing Group.
Number three on the list, with 1997 revenues of just over $13
billion, is Viacom, Inc., headed by Sumner Redstone (born Murray
Rothstein). Viacom, which produces and distributes TV programs
for the three largest networks, owns 13 television stations and
12 radio stations. It produces feature films through Paramount
Pictures, headed by Jewess Sherry Lansing. Redstone acquired CBS
following the December 1999 stockholders' votes at CBS and
Viacom.
Viacom's publishing division includes Simon & Schuster,
Scribner, The Free Press, and Pocket Books. It distributes
videos through over 4,000 Blockbuster stores. It is also
involved in satellite broadcasting, theme parks, and video
games.
Viacom's chief claim to fame, however, is as the world's largest
provider of cable programming, through its Showtime, MTV,
Nickelodeon, and other networks. Since 1989 MTV and Nickelodeon
have acquired larger and larger shares of the juvenile
television audience. Redstone, who actually owns 76 per cent of
the shares of Viacom, until recently offered Beavis and Butthead
as teen role models and currently is the largest single purveyor
of race-mixing propaganda to White teenagers and sub-teens in
America and in Europe. MTV pumps its racially mixed rock and rap
videos into 210 million homes in 71 countries and is the
dominant cultural influence on White teenagers around the world.
Nickelodeon, with about 65 million subscribers, has by far the
largest share of the four-to-11-year-old TV audience in America
and also is expanding rapidly into Europe. Most of its shows do
not yet display the blatant degeneracy that is MTV's trademark,
but Redstone is gradually nudging the fare presented to his
kiddie viewers toward the same poison purveyed by MTV.
The new boy on the megamedia block is Edgar Bronfman, Jr.,
president and CEO of Seagram Company, Ltd., the liquor giant.
His father, Edgar Bronfman, Sr., is president of the World
Jewish Congress. Seagram owns two large production companies,
MCA and Universal Pictures (now merged under the name Universal
Studios). Among its many other properties, MCA owns Interscope
Records, the foremost promoter of "gangsta rap."
Bronfman became the biggest man in the record business in May
1998 when he also acquired control of PolyGram, the European
record giant, by paying $10.6 billion to the Dutch electronics
manufacturer Philips. With the expected revenue from PolyGram
added to that from MCA and Universal, Bronfman will have the
fourth largest media empire, with annual revenues around $12
billion. One especially unfortunate aspect of the PolyGram
acquisition is that it gives Bronfman control of the world's
largest producer of classical music CDs: PolyGram owns the
Deutsche Grammophon, Decca-London, and Philips record companies.
With three of the top four media conglomerates in the hands of
Jews, and with a Jew in executive charge of the remaining one,
it is difficult to believe that such an overwhelming degree of
control came about without a deliberate, concerted effort on
their part.
What about the other big media companies?
Rupert Murdoch's News Corporation, which owns Fox Television
Network, 20th Century Fox Films, and Fox 2000, is the fifth
largest megamedia corporation in the country, with 1997 revenues
of over $11 billion. It is the only other media company which
comes even close to the top four. Murdoch is a Gentile
Australian, but Peter Chernin, who is president and CEO of Fox
Group, which includes all of News Corporation's film,
television, and publishing operations in the United States, is a
Jew. Under Chernin, as president of 20th Century Fox, is Laura
Ziskin, a Jewess who formerly headed Fox 2000. Jew Peter Roth
works under Chernin as president of Fox Entertainment. News
Corporation also owns the New York Post and TV Guide, and they
are published under Chernin's supervision. Murdoch told Newsweek
magazine (July 12, 1999) that he would probably elevate Chernin
to CEO of News Corporation, rather than allow the company to
fall into the hands of his own children, none of whom are
younger than their late twenties. It is hard to imagine a Jew
giving a major media corporation to a Gentile underling when he
has children waiting in the wings. For his part, Chernin was
quite candid: "I get to control movies seen all over the world.
. . . What could be more fun?"
Most of the television and movie production companies that are
not owned by the largest corporations are also controlled by
Jews. For example, New World Entertainment, proclaimed by one
media analyst as "the premier independent TV program producer in
the United States," is owned by Ronald Perelman, a Jew who also
owns Revlon cosmetics and offered a job to Monica Lewinsky when
Bill Clinton was trying to keep her quiet.
The best known of the smaller media companies, DreamWorks SKG,
is a strictly kosher affair. DreamWorks was formed in 1994 amid
great media hype by recording industry mogul David Geffen,
former Disney Pictures chairman Jeffrey Katzenberg, and film
director Steven Spielberg, all three of whom are Jews. The
company produces movies, animated films, television programs,
and recorded music. Considering the cash and connections that
Geffen, Katzenberg, and Spielberg have, DreamWorks may soon be
in the same league as the big four.
It is well known that Jews have controlled most of the
production and distribution of films since shortly after the
inception of the movie industry in the early decades of this
century. When Walt Disney died in 1966, the last barrier to the
total Jewish domination of Hollywood was gone, and Jews were
able to grab ownership of the company that Walt built. Since
then they have had everything their way in the movie industry.
Films produced by just the four largest motion picture companies
mentioned above -- Disney, Warner Brothers, Paramount (Viacom),
and Universal (Seagram) -- accounted for two-thirds of the total
box-office receipts for the year 1997.
The big three in television network broadcasting used to be ABC,
CBS, and NBC. With the consolidation of the media empires, these
three are no longer independent entities. While they were
independent, however, each was controlled by a Jew since its
inception: ABC by Leonard Goldenson; NBC first by David Sarnoff
and then by his son Robert; and CBS first by William Paley and
then by Laurence Tisch. Over periods of several decades these
networks were staffed from top to bottom with Jews, and the
essential Jewishness of network television did not change when
the networks were absorbed by other corporations. The Jewish
presence in television news remains particularly strong.
For example, the executive producers of two of the three main
network news programs are Jews. The executive producer of ABC's
World News Tonight with Peter Jennings is Paul Friedman. The
executive producer of NBC Nightly News with Tom Brokaw is Neal
Shapiro. Until recently, the executive producer of CBS Evening
News with Dan Rather was Al Ortiz, also a Jew. However, Ortiz
moved to head the CBS "Special Events" coverage in February
2000, leaving the Evening News to a Gentile named Jim Murphy. If
you prefer CBS This Morning News instead, the executive producer
is Al Berman, who also is a Jew. Or if you get your news from
CNN, the boss there is Rick Kaplan, also a Jew.
The Print Media
After television news,
daily newspapers are the most influential information medium in
America. Sixty million of them are sold (and presumably read)
each day. These millions are divided among some 1,600 different
publications. One might conclude that the sheer number of
different newspapers across America would provide a safeguard
against minority control and distortion. Alas, such is not the
case. There is less independence, less competition, and much
less representation of majority interests than a casual observer
would think.
The days when most cities and even towns had several
independently owned newspapers published by local people with
close ties to the community are gone. Most of them were bought
out or driven out of business by the mid-1970s. Today most
"local" newspapers are owned by a rather small number of large
companies controlled by executives who live and work hundreds or
even thousands of miles away. The fact is that only about 20 per
cent of the country's 1,600 papers are independently owned; the
rest belong to multi-newspaper chains. Only 104 of the total
number have circulations of more than 100,000. Only a handful
are large enough to maintain independent reporting staffs
outside their own communities; the rest must depend on these few
for all of their national and international news.
In only 47 cities in
America are there more than one daily newspaper, and competition
is frequently nominal even among them, as between morning and
afternoon editions under the same ownership. Examples of this
are the Huntsville, Alabama, morning News and afternoon Times;
the Birmingham, Alabama, morning Post Herald and afternoon News;
the Mobile, Alabama, morning Register and afternoon Press; the
Springfield, Massachusetts, morning Union, afternoon News, and
Sunday-only Republican; the Syracuse, New York, morning
Post-Standard and afternoon Herald-Journal -- all owned by the
Jewish Newhouse brothers through their holding company, Advance
Publications.
The Newhouse media empire provides an example of more than the
lack of real competition among America's daily newspapers: it
also illustrates the insatiable appetite Jews have shown for all
the organs of opinion control on which they could fasten their
grip. The Newhouses own 26 daily newspapers, including several
large and important ones, such as the Cleveland Plain Dealer,
the Newark Star-Ledger, and the New Orleans Times-Picayune;
Newhouse Broadcasting, consisting of 12 television broadcasting
stations and 87 cable-TV systems, including some of the
country's largest cable networks; the Sunday supplement Parade,
with a circulation of more than 22 million copies per week; some
two dozen major magazines, including the New Yorker, Vogue,
Mademoiselle, Glamour, Vanity Fair, Bride's, Gentlemen's
Quarterly, Self, House & Garden, and all the other magazines of
the wholly owned Conde Nast group.
This Jewish media empire was founded by the late Samuel Newhouse,
an immigrant from Russia. When he died in 1979 at the age of 84,
he bequeathed media holdings worth an estimated $1.3 billion to
his two sons, Samuel and Donald. With a number of further
acquisitions, the net worth of Advance Publications has grown to
more than $8 billion today.
The gobbling up of so many newspapers by the Newhouse family was
in large degree made possible by the fact that newspapers are
not supported by their subscribers, but by their advertisers. It
is advertising revenue -- not the small change collected from a
newspaper's readers -- that largely pays the editor's salary and
yields the owner's profit.
Whenever the large advertisers in a city choose to favor one
newspaper over another with their business, the favored
newspaper will flourish while its competitor dies. Since the
beginning of this century, when Jewish mercantile power in
America became a dominant economic force, there has been a
steady rise in the number of American newspapers in Jewish
hands, accompanied by a steady decline in the number of
competing Gentile newspapers -- primarily as a result of
selective advertising policies by Jewish merchants.
Furthermore, even those newspapers still under Gentile ownership
and management are so thoroughly dependent upon Jewish
advertising revenue that their editorial and news reporting
policies are largely constrained by Jewish likes and dislikes.
It holds true in the newspaper business as elsewhere that he who
pays the piper calls the tune.
Three Jewish Newspapers
The suppression of
competition and the establishment of local monopolies on the
dissemination of news and opinion have characterized the rise of
Jewish control over America's newspapers. The resulting ability
of the Jews to use the press as an unopposed instrument of
Jewish policy could hardly be better illustrated than by the
examples of the nation's three most prestigious and influential
newspapers: the New York Times, the Wall Street Journal, and the
Washington Post. These three, dominating America's financial and
political capitals, are the newspapers that set the trends and
the guidelines for nearly all the others. They are the ones that
decide what is news and what isn't, at the national and
international levels. They originate the news; the others merely
copy it. And all three newspapers are in Jewish hands.
The New York Times, with a September 1998 circulation of
1,067,000, is the unofficial social, fashion, entertainment,
political, and cultural guide of the nation. It tells America's
"smart set" which books to buy and which films to see; which
opinions are in style at the moment; which politicians,
educators, spiritual leaders, artists, and businessmen are the
real comers. And for a few decades in the 19th century it was a
genuinely American newspaper.
The New York Times was founded in 1851 by two Gentiles, Henry J.
Raymond and George Jones. After their deaths, it was purchased
in 1896 from Jones's estate by a wealthy Jewish publisher,
Adolph Ochs. His great-great-grandson, Arthur Sulzberger, Jr.,
is the paper's current publisher and the chairman of the New
York Times Co. The executive editor is Joseph Lelyveld, also a
Jew (he is a rabbi's son).
The Sulzberger family also owns, through the New York Times Co.,
33 other newspapers, including the Boston Globe, purchased in
June 1993 for $1.1 billion; twelve magazines, including McCall's
and Family Circle with circulations of more than 5 million each;
seven radio and TV broadcasting stations; a cable-TV system; and
three book publishing companies. The New York Times News Service
transmits news stories, features, and photographs from the New
York Times by wire to 506 other newspapers, news agencies, and
magazines.
Of similar national importance is the Washington Post, which, by
establishing its "leaks" throughout government agencies in
Washington, has an inside track on news involving the Federal
government.
The Washington Post, like the New York Times, had a non-Jewish
origin. It was established in 1877 by Stilson Hutchins,
purchased from him in 1905 by John R. McLean, and later
inherited by Edward B. McLean. In June 1933, however, at the
height of the Great Depression, the newspaper was forced into
bankruptcy. It was purchased at a bankruptcy auction by Eugene
Meyer, a Jewish financier and former partner of the infamous
Bernard Baruch, industry czar in America during the First World
War.
The Washington Post is now run by Katherine Meyer Graham, Eugene
Meyer's daughter. She is the principal stockholder and the board
chairman of the Washington Post Co. In 1979 she appointed her
son Donald publisher of the paper. He now also holds the posts
of president and CEO of the Washington Post Co. The newspaper
has a daily circulation of 810,000, and its Sunday edition sells
1.1 million copies.
The Washington Post Co. has a number of other media holdings in
newspapers (The Gazette Newspapers, including 11 military
publications), in television (WDIV in Detroit, KPRC in Houston,
WPLG in Miami, WKMG in Orlando, KSAT in San Antonio, WJXT in
Jacksonville), and in magazines, most notably the nation's
number-two weekly newsmagazine, Newsweek. The Washington Post's
various television ventures reach a total of about 7 million
homes, and its cable TV service, Cable One, has 635,000
subscribers.
In a joint venture with the New York Times, the Post publishes
the International Herald Tribune, the most widely distributed
English language daily in the world.
The Wall Street Journal, which sells 1.8 million copies each
weekday, is the nation's largest-circulation daily newspaper. It
is owned by Dow Jones & Company, Inc., a New York corporation
that also publishes 24 other daily newspapers and the weekly
financial tabloid Barron's, among other things. The chairman and
CEO of Dow Jones is Peter R. Kann, who is a Jew. Kann also holds
the posts of chairman and publisher of the Wall Street Journal.
Most of New York's other major newspapers are in no better hands
than the New York Times and the Wall Street Journal. In January
1993 the New York Daily News was bought from the estate of the
late Jewish media mogul Robert Maxwell (born Ludvik Hoch) by
Jewish real-estate developer Mortimer B. Zuckerman. The Village
Voice is the personal property of Leonard Stern, the billionaire
Jewish owner of the Hartz Mountain pet supply firm. And, as
mentioned above, the New York Post is owned by News Corporation
under the Jew Peter Chernin.
News Magazines
The story is pretty much
the same for other media as it is for television, radio, films,
music, and newspapers. Consider, for example, newsmagazines.
There are only three of any importance published in the United
States: Time, Newsweek, and U.S. News & World Report.
Time, with a weekly circulation of 4.1 million, is published by
a subsidiary of Time Warner Communications, the new media
conglomerate formed by the 1989 merger of Time, Inc., with
Warner Communications. The CEO of Time Warner Communications, as
mentioned above, is Gerald Levin, a Jew.
Newsweek, as mentioned above, is published by the Washington
Post Company, under the Jewess Katherine Meyer Graham. Its
weekly circulation is 3.2 million.
U.S. News & World Report, with a weekly circulation of 2.3
million, is owned and published by the aforementioned Mortimer
B. Zuckerman, who also has taken the position of editor-in-chief
of the magazine for himself. Zuckerman also owns the Atlantic
Monthly and New York's tabloid newspaper, the Daily News, which
is the sixth-largest paper in the country.
Our Responsibility
Those are the facts of
media control in America. Anyone willing to spend a few hours in
a large library looking into current editions of yearbooks on
the radio and television industries and into directories of
newspapers and magazines; into registers of corporations and
their officers, such as those published by Standard and Poors
and by Dun and Bradstreet; and into standard biographical
reference works can verify their accuracy. They are undeniable,
and when confronted with them Jewish spokesmen customarily will
use evasive tactics. "Ted Turner isn't a Jew!" they will
announce triumphantly, as if that settled the issue. If pressed
further they will accuse the confronter of "anti-Semitism" for
even raising the subject. It is fear of this accusation that
keeps many persons who know the facts silent.
But we must not remain silent on this most important of issues!
The Jewish control of the American mass media is the single most
important fact of life, not just in America, but in the whole
world today. There is nothing -- plague, famine, economic
collapse, even nuclear war -- more dangerous to the future of
our people.
Jewish media control determines the foreign policy of the United
States and permits Jewish interests rather than American
interests to decide questions of war and peace. Without Jewish
media control, there would have been no Persian Gulf war, for
example. There would have been no NATO massacre of Serb
civilians. There would be no continued beating of the drums for
another war against Iraq.
By permitting the Jews to control our news and entertainment
media we are doing more than merely giving them a decisive
influence on our political system and virtual control of our
government; we also are giving them control of the minds and
souls of our children, whose attitudes and ideas are shaped more
by Jewish television and Jewish films than by parents, schools,
or any other influence.
The Jew-controlled entertainment media have taken the lead in
persuading a whole generation that homosexuality is a normal and
acceptable way of life; that there is nothing at all wrong with
White women dating or marrying Black men, or with White men
marrying Asian women; that all races are inherently equal in
ability and character -- except that the character of the White
race is suspect because of a history of oppressing other races;
and that any effort by Whites at racial self-preservation is
reprehensible.
We must oppose the further spreading of this poison among our
people, and we must break the power of those who are spreading
it. It would be intolerable for such power to be in the hands of
any alien minority, with values and interests different from our
own. But to permit the Jews, with their 3,000-year history of
nation-wrecking, from ancient Egypt to Russia, to hold such
power over us is tantamount to race suicide. Indeed, the fact
that so many White Americans today are so filled with a sense of
racial guilt and self-hatred that they actively seek the death
of their own race is a deliberate consequence of Jewish media
control.
Once we have absorbed and understood the fact of Jewish media
control, it is our inescapable responsibility to do whatever is
necessary to break that control. We must shrink from nothing in
combating this evil power which has fastened its deadly grip on
our people and is injecting its lethal poison into their minds
and souls. If we fail to destroy it, it certainly will destroy
our race.
Let us begin now to acquire knowledge and to take action toward
this necessary end
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